Film
Dome screening review: XYZZY: Jess Johnson and Simon Ward, Neversphere
‘XYZZY’ is a visual and aural journey that tilts our world upside down.
Event review: MIFF XR, Melbourne
Is the physical body at stake in VR?
From calling to career: mastering the art of writing for stage and screen
Playwright and screenwriter Emme Hoy describes how NIDA’s Master of Fine Arts (Dramatic Writing) helped her hone her craft and…
Is fear around AI doing more harm than good?
Our anxiety is pitching artists against AI when collaboration and exploration are what's needed.
Australian film censorship and the movies that made us sweat
When it comes to the line between artistic freedom and consumer protection, Australia has often waddled clumsily, and sometimes to…
Complicating Vietnamese diaspora stories for the better
A look into how the ‘MÌNH’ exhibition challenges notions of a monolithic Vietnamese identity through art and writing.
Why I studied... Bachelor of Arts Screen: Production
Emerging screen producer Faraz Anarwala talks about studying at AFTRS and specialising in Production Design, Sound and Cinematography.
Spider-Man: Across the Spider-Verse pokes fun at contemporary art
A brief art history rundown of the new 'Spider-Man: Across the Spider-Verse’ movie and it’s clever commentary on contemporary art.
New two-year acting intensive offers affordable fast-track to industry
The National Drama School’s Advanced Diploma of Acting has reduced fees by a third by concentrating the course into a…
Carmen producer Rosemary Blight on Millepied’s bold reimagining of Bizet’s opera
Australian screen producer Rosemary Blight reveals that Paul Mescal didn't know how to dance, box or play guitar before filming…