Dance
Dance review: To Carry/To Hold, Theatre Royal Hobart
A dance work that focused on touch, skin, and the history and glory of the human body.
Dance review: Make Your Life Count, PICA
An ambitious solo work that incorporates video and text.
Why are we still watching La Bayadère?
Will this popular ballet join the likes of 'Miss Saigon' and 'Turandot' as a work deemed too culturally insensitive for…
Ballet review: Carmen, Sydney Opera House
A rethinking of 'Carmen' reflects on gender power structures in a brilliant performance for our times.
Performance Review: WHITESNAKE3000, State Theatre Centre of WA
Autobiographical dance theatre work exploring artistic, cultural and gender identity.
In conversation: Gail Mabo on curating and legacy
Dancer cum choreographer cum artist, Gail Mabo turns her hand to curating as a way to share culture.
Opera review: West Side Story, Sydney Harbour
A stunning revival production of Opera on the Harbour’s biggest hit musical.
Exit interview: Tim Newth AM, Tracks Dance Company
From active listening to rethinking what it means to be an Australian artist, Tim Newth reflects on a 35-year practice…
Performance review: Future Proof, Darebin Arts Speakeasy
Physical theatre that asked the hard questions, but needed a little more fine-tuning.
Ballet review: Alice's Adventures in Wonderland, Arts Centre Melbourne
An immersive spectacle, sure to unsettle and astound lovers of the classic tale.