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Showing all news in Reviews
The 26-year-old play continues to provoke controversy.
This multi-layered show offers a series of interesting experimentations but leaves the audience with questions unanswered.
Drawing from more than 40 collections, the NGV’s exhibition showcases the iconoclastic designer’s work and philosophy.
The most revealing thing about this exhibition is how white Vogue Australia has been for most of its 60 years.
Meow Meow’s silly season show is an odd Christmas panto, steered by a fallen but charismatic diva.
Slick routines and superb singing underpins this convivial, nostalgic celebration of the local pub.
Emu Runner is a quiet film of a child dealing with grief and her bond with the emu, nguri told with the Ngemba girl from Brewarrina in NSW.
When a light festival moves from a hodgepodge of projections to a solo exhibition of illuminated sculptures, is a refreshing re-think of the tourism model.
Bruny Island is the surprising setting for the final battle of the culture wars in Heather Rose’s political satire.
You’ve got to be doing something right to keep a comedy series going on Australian television for almost 20 years.
Colin Friels fully inhabits his character in a one-man show that’s guaranteed to haunt you.
Mirrah Foulkes' delightfully dark feature film debut gives a feminist twist twist to the squabbling sideshow couple.
A powerful subversion of craft as a vehicle for activism and social change.
The Production Company bow out at the top of their game with the glorious Ragtime.
Grahame Cooper’s intellectual curiosity is paired with his white-hot sense of humour in this one-man show.
Rosalind Hall and Steve Law's electronic music compositions are a stellar example of the talent coming out of Melbourne Electronic Sound Studio.
This gutsy and timely exhibition rethinks textile art, but more so demonstrates how our state and regional galleries can work together to national significance.
Looking back over 30 years of Brisbane's contemporary music, this innovative exhibition has plenty of earworms along with the culture that surrounds the scene.
Jillian Murray inhabits Joan Didion with absolute conviction in this small but beautifully crafted production about the intellectual dislocation of grief.
Australian feminist horror anthology: from giggles to shivers in a scream of dark joy.
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