Art now, pay later - art shopping just became easier Print Email Email to a friend Your email Your name Friend's email Friend's name Verification Please prove your humanity Go on prove it :) Close Related Articles Review: Tom Malone Prize 2019, Art Gallery of WA Sliding between abstraction to quirky realism, the Tom Malone Prize for glass demonstrates that the medium is dynamic and current. On the move: the latest appointments and resignations New appointments for Australia Council Board, Emerging Writers Festival, JamFactory, Word for Word Non-Fiction Festival and Sydney Chamber Choir, and a sudden departure from State Library Victoria. Vale Edmund Capon: a collective tribute A week on, and the tributes are still flooding in for former director of AGNSW, Edmund Capon, demonstrating the impact our cultural leaders can have on society. Review: Ten Days on the Island part two, the North East The second weekend of Ten Days on the Island featured everything from contemporary performance in a black box theatre to a chamber orchestra playing in a vineyard. (Premium content) Premium content Gina Fairley Wednesday 1 April, 2015 A cultural entrepreneur has launched an innovative borrowing scheme designed to bring more money into the art market. This content is only available to members of ArtsHub Join Now for instant access! A subscription to ArtsHub will enable you to: Access the most comprehensive jobs board for the arts sector, with hundreds of positions posted weekly Keep up to date with the latest industry news Access thousands of members-only features, articles and guides Be in the know with upcoming events and exhibitions added daily Learn how and where to get grants, with the most extensive grant finder ... and much, much more. Join Now and join the Australian arts community today Hiromi Tango Now, at one of the participating Art Money partner galleries Sullivan+Strumpf; supplied Member login Email address Password Forgot password? About the author Gina Fairley is ArtsHub's National Visual Arts Editor. For a decade she worked as a freelance writer and curator across Southeast Asia and was previously the Regional Contributing Editor for Hong Kong based magazines Asian Art News and World Sculpture News. Prior to writing she worked as an arts manager in America and Australia for 14 years. She is based in Mittagong, regional NSW, and you can follow her on Twitter @ginafairley and Instagram at fairleygina.