Doing it for the kids: the tiny revolution in our art museums Print Email Email to a friend Your email Your name Friend's email Friend's name Verification Please prove your humanity Go on prove it :) Close Related Articles What was the state of ArtState? Gauging the health of our regional conversations. (locked) On the ground in Bathurst, ArtsHub takes the pulse on this regional arts conference and asks just how robust our regions really are? Artist as activist: a force for social change Artists and activists Mama Alto, Steve Lambert and Jax Jacki Brown discuss 'strategic dramaturgy' and making work with the potential to change the world. Arts publishing on the rise, thanks to industry chutzpah (locked) With a slew of new artist monographs released over the past month, ArtsHub questions the recent focus on visual arts publishing and shift in trends. The politics of art in New York: an Australian perspective What do the politics of the Australian and the New York independent arts scene have in common? Surprisingly, quite a lot. (Premium content) Premium content Jane O'Sullivan Friday 25 May, 2018 Kids are no longer an unwelcome presence in our art museums. Three of the country’s leading experts in children’s programming talk about how to get kids engaged and how to keep them coming back. This content is only available to members of ArtsHub Join Now for instant access! A subscription to ArtsHub will enable you to: Access the most comprehensive jobs board for the arts sector, with hundreds of positions posted weekly Keep up to date with the latest industry news Access thousands of members-only features, articles and guides Be in the know with upcoming events and exhibitions added daily Learn how and where to get grants, with the most extensive grant finder ... and much, much more. Join Now and join the Australian arts community today Pipilotti Rist MCA Kids Opening. Photo by Daniel Boud. Supplied. Member login Email address Password Forgot password? About the author Jane O'Sullivan is a Sydney-based visual arts writer and a former editor of Art Collector and Art Edit magazine. She has covered the local art market for the Australian Financial Review and Artnet, and her writing has also appeared in Art Guide, Ocula and Artist Profile, among others.