Doing it for the kids: the tiny revolution in our art museums Print Email Email to a friend Your email Your name Friend's email Friend's name Verification Please prove your humanity Go on prove it :) Close Related Articles Sex sells, but does it sound good? (locked) Is the increased focus on performers' sex appeal a tacit acknowledgement that classical music can no longer connect with society on its own terms? Why creative partnerships are important to an organisation’s growth (locked) ArtsHub speaks with some of the winners of this year’s Creative Partnership Awards about the value of philanthropy, and the challenges that private giving still faces in Australia. Why a new code of practice is important for the arts In our uncertain, unethical times, a code by which artists and organisations can conduct business and their art practice is critical to valuing the arts and offering a firm foundation for effective policy change. One of the most urgent things we can do is make art ArtsHub speaks to critical theorist Sarah Sentilles about the hopefulness of art and how it becomes a weapon for peace. (Premium content) Premium content Jane O'Sullivan Friday 25 May, 2018 Kids are no longer an unwelcome presence in our art museums. Three of the country’s leading experts in children’s programming talk about how to get kids engaged and how to keep them coming back. This content is only available to members of ArtsHub Join Now for instant access! A subscription to ArtsHub will enable you to: Access the most comprehensive jobs board for the arts sector, with hundreds of positions posted weekly Keep up to date with the latest industry news Access thousands of members-only features, articles and guides Be in the know with upcoming events and exhibitions added daily Learn how and where to get grants, with the most extensive grant finder ... and much, much more. Join Now and join the Australian arts community today Member login Email address Password Forgot password? About the author Jane O'Sullivan is a Sydney-based visual arts writer and a former editor of Art Collector and Art Edit magazine. She has covered the local art market for the Australian Financial Review and Artnet, and her writing has also appeared in Art Guide, Ocula and Artist Profile, among others.