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A fair-skinned woman with curly red hair looks quizzicaly at the camera, one eyebrow slightly raised and a playful expression on her face. She wears a formal black jacket over a light blue blouse, which is unbuttoned, giving her a somewhat devil-may-care attitude. This is Kerri Glasscock, the outgoing Director and CEO of Sydney Fringe Festival.
Features

What I learned from 12 years at Sydney Fringe Festival: Kerri Glasscock

As she leaves Sydney Fringe to take up the reins as Executive Director of Create NSW, Glasscock shares some of…

Richard Watts
Green spraypaint reads 'ART$Y' on grey pavement - a reflection of arts funding.
Features

The new money: how artists are funding their work beyond grants

With traditional funding sources tightening, Australia's creative workers are turning to alternative revenue streams – but not without cost.

David Burton
A person in a ghost costume with sunglasses and headphones is on the phone.
Features

10 expert tips on how to be a ghostwriter

Ghostwriting isn’t just writing for someone else. It’s shaping their story, capturing their voice and helping them say the things…

Erin O'Dwyer
A kid looking at a tank full of jelly fish. The tank is lit up with indigo light.
News

Arts news watch: this week’s trending topics

We report it – you read it. This week: pub quiz literary questions, King’s Birthday Honours List, choosing a career…

Celina Lei
two black shoe clad feet with arrows facing in opposing directions on the ground. visual arts public sector
Opinions & Analysis

A public or private sector career in the visual arts – which is the right one for you?

Moving from the public to the private sector in the visual arts is usually a one-way street, so make sure…

Michael Reid OAM
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