How can we safeguard feminist works for the future? Several organisations share examples from the past and the present.
Alex Martinis Roe, It was about opening the very notion that there was a particular perspective 2015–17 (still of a ‘Bread and Dripping’ (1981) production still, courtesy of Margot Nash), three-channel video installation: HD video and 16mm film transferred to video with sound, including film material courtesy of Helen Grace, Pat Fiske and Margot Nash. Courtesy the artist.
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