Richard Watts

Richard Watts OAM is ArtsHub's National Performing Arts Editor; he also presents the weekly program SmartArts on Three Triple R FM. Richard is a life member of the Melbourne Queer Film Festival, a Melbourne Fringe Festival Living Legend, and was awarded the Sidney Myer Performing Arts Awards' Facilitator's Prize in 2020. In 2021 he received a Lifetime Achievement Award from the Green Room Awards Association. Most recently, Richard received a Medal of the Order of Australia (OAM) in June 2024. Follow him on Twitter: @richardthewatts

Richard Watts's Latest Articles

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The one stop shop for dance artists

From belly-dancers to ballet, contemporary dancers depend on their peak body for professional support.

News

Artists compete to work in whisky distillery

Author William Faulkner considered whisky a tool of his trade. For one lucky artist it will also provide a studio.

Features

Today the inner city, tomorrow the world

Options for touring innovative works aren’t just limited to the hipster belts of Australia’s major cities.

Features

Theatre can only survive if it’s eventful

Performances should disrupt audience’s comfortable schedules and be more playful if the art form is to survive, says renowned director…

News

Sector responds to National Opera Review

Contention over call for an additional $24.1 million funding for the major opera companies.

News

By women, for everyone

The inaugural Festival Fatale, a two-day women’s theatre festival, is an explicitly feminist event.

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What’s special about Sydney

A festival should not be just a showcase for exclusive touring acts. The Sydney Festival 2017 aims to reflect the…

News

Opera companies face major overhaul

One company should be put on notice, another bumped up and $24 million should be injected into opera, recommends the…

News

Strengthening pathways for independent artists

Recognising that indie theatre-makers can rarely afford mainstage prices, a new initiative makes affordability a priority in 2017.

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Kinky Boots

This frothy but imperfect musical is impeccably cast, and performed with such gusto that it's relatively easy to look past…

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