Gina Fairley

Gina Fairley is ArtsHub's National Visual Arts Editor. For a decade she worked as a freelance writer and curator across Southeast Asia and was previously the Regional Contributing Editor for Hong Kong based magazines Asian Art News and World Sculpture News. Prior to writing she worked as an arts manager in America and Australia for 14 years, including the regional gallery, biennale and commercial sectors. She is based in Mittagong, regional NSW. Twitter: @ginafairley Instagram: fairleygina

Gina Fairley's Latest Articles

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Rewriting Australia through Photography

Judy Annear offers a personal and individual approach to the very complex story of Australia's sense of nation.

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VIVID Sydney 2015 program shines

Now the world's largest festival of light, music and ideas, this year VIVID expands to three new precincts.

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Gift grows gift: Olsen donates painting inspired by Streeton

Neil Balnaves gifted a Streeton to Mosman Art Gallery in 2012 hoping to grow philanthropy. This gift by Olsen is…

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Former gallery guide leaves $8 million bequest

The NGA unveils the Alan Boxer Bequest, 19 iconic paintings for twentieth-century Australian art, bolstering its holdings.

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Two Sydney auctions not to miss

From quirky Australian pottery to museum quality paintings that capture a moment in Australian art history - great auction picks.

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Australian confirmed dead in Tunisian museum rampage

In a site usually reserved for beauty and humanity, gunmen kill 19 foreign tourists who were celebrating Tunisian culture at…

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Rare snuff bottle auction sets high expectations

International interest is high as the largest collection of snuff bottles in Australia goes under the hammer this weekend.

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From sport to art: Sothebys building shareholder value

Formerly with MGM, strategist Tad Smith will take over as CEO of Sotheby's in New York and looks to greater…

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Australian galleries killing it at Art Basel HK

Vernissage bought sales and sensation to the Hong Kong art fairs, with several Oz galleries catching the eye of the…

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The Curators' Department - old or new model?

With tighter funding and increasing pressure to focus on audience participation, how can new curatorial models engage artists and audiences?

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