Gina Fairley

Gina Fairley is ArtsHub's Senior Contributor, after 12 years in the role as National Visual Arts Editor. She has worked for extended periods in America and Southeast Asia, as gallerist, arts administrator and regional contributing editor for a number of magazines, including Hong Kong based Asian Art News and World Sculpture News. She is an Art Tour leader for the AGNSW Members, and lectures regularly on the state of the arts. She is based in Mittagong, regional NSW. Instagram: fairleygina

Gina Fairley's Latest Articles

2026 Telstra National Aboriginal and Torres Strait Islander Art Awards ceremony, Darwin. Photo: Charlie Bliss.
Interviews

The NATSIAAs are breaking down the polarising divide between city and remote artists

The NATSIAAs are more than an art award. They're also an evolving model of what expanded cultural exchange can look…

Performance Contemporary, Sydney Contemporary 2025. Photo: Wes Nel Photography.
Industry News

Ten editions on, has the Sydney Contemporary art fair kept its big promises?

While sales have ebbed, signs of market maturity and growing engagement are recalibrating how we register success of Australia’s largest…

Detail of indicative artwork by Tim Silver, ahead of his piece for HEAD, Festival of Dangerous Ideas. Photo: Jek Maurer Photography. Courtesy: the artist.
Interviews

At the Festival of Dangerous Ideas, art refuses to stay safely on the wall

HEAP is an ephemeral commission engaging eight artists and 120 tonnes of soil for the Festival of Dangerous Ideas.

Ryan Presley with his winning Telstra Art Award painting, Our lifestyle of tranquillity undisturbed (2026), oil on canvas. Photo: Charlie Bliss.
Features

Ryan Presley lands $100,000 Telstra NATSIAA Art Award with a Renaissance-inspired artwork

What does this year’s Telstra NATSIAA prize list reveal about the future of Indigenous art?

Installation view – ‘Margaret Olley: Australian Intimiste,’ NAS Gallery. Photo: Gina Fairley.
StarsStarsStarsStarsStars

Margaret Olley: Australian Intimiste offers a new way to see a beloved artist

The National Art School delivers the near impossible: an expansive yet intimate show that shepherds fresh conversations about Margaret Olley.

Installation view Arthur Boyd: Tapestries, National Gallery of Australia: St Francis when young turning aside (1972). Photo: Gina Fairley.
Features

Arthur Boyd’s tapestries show us what trust in a commissioning process looks like

The story behind Arthur Boyd's greatest leap of faith reveals a collaboration that still blazes bright today.

Brett Whiteley at his Raper Street studio, Surry Hills, 1986. Photo: Gerrit Fokkema.
News

Preserving Brett Whiteley’s spirit, not just his studio’s bricks and mortar

After a two year closure, the Brett Whiteley Studio reopens in Sydney with rare works from Fiji on display.

2026 Loewe Foundation Craft Prize. Photo: Loewe Foundation.
Features

Craft is in crisis – but it seems only in Australia

As craft is enjoying unprecedented visibility globally, why is Australia dismantling the very institutions that sustain it?

Shaun Gladwell, A Nebuchadnezzar Cycle, 2026. Still, digital video, 63:00. Commissioned by Bundanon Trust. Courtesy: the artist and PALAS Sydney.
StarsStarsStarsStarsStars

Man on Fire review: Shaun Gladwell and Arthur Boyd in searing dialogue

In the hands of Arthur Boyd and Shaun Gladwell, the prescient tale of Nebuchadnezzar becomes a warning against hubris and…

Australian designers commissioned for Powerhouse Parramatta. Photo: Nic Walker / Powerhouse.
News

Australian designers give heart to Powerhouse Parramatta

More than 50 Australian designers have been commissioned to fit out the new Powerhouse Parramatta, thanks to a $2.5 million…

1 2 3 318