Gina Fairley

Gina Fairley is ArtsHub's Senior Contributor, after 12 years in the role as National Visual Arts Editor. She has worked for extended periods in America and Southeast Asia, as gallerist, arts administrator and regional contributing editor for a number of magazines, including Hong Kong based Asian Art News and World Sculpture News. She is an Art Tour leader for the AGNSW Members, and lectures regularly on the state of the arts. She is based in Mittagong, regional NSW. Instagram: fairleygina

Gina Fairley's Latest Articles

Features

The new Australian corporate approach to art collecting

After a decade of flogging off their art collections, Australia’s top companies are embracing collecting but they want different results.

Features

Six corporate art collections you should know

Despite drastic sell-offs in the past decade, there are a handful of corporate collections that are creating a strong global…

News

El Anatsui: Australia's first look at Africa's Golden Lion

Third world liquor bottle caps are transformed into artworks that earned Ghanian artist El Anatsui the international lifetime achievement award…

Features

Gallery 4A dining on ‘tofu art’

Chinese artist Chen Quilin pays tribute to Australia's Chinese Diaspora in a medium more usually found in its restaurants: tofu.

Career Advice

Nine tips to win public art commissions

Public art commissions are a rich source of income for artists but public funding makes them notoriously bureaucratic. Cut through…

Features

Visual arts highlights in 2016

From Marilyn to Frida, blockbusters to biennales, the expected crowds at galleries this year mean you better pencil in your…

Features

Do galleries earn their commission?

What do artists get for that 50 per cent commission charged by galleries? Artists and collectors alike want to know.

Features

Unspoken rules of the art market

As a new collector, the art market might feel like an impenetrable club. It need not be. Collecting is simply…

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The Last Temptation: Ken + Julia Yonetani

Chandeliers made from glowing uranium glass and an indulgent feast created entirely from salt have a quirky and seductive appeal…

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Lloyd Rees: Painting with Pencil 1930 - 1936

I came to realise I was painting with the pencil, said Lloyd Rees of his seminal drawings from the 1930s,…

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