Gina Fairley

Gina Fairley is ArtsHub's Senior Contributor, after 12 years in the role as National Visual Arts Editor. She has worked for extended periods in America and Southeast Asia, as gallerist, arts administrator and regional contributing editor for a number of magazines, including Hong Kong based Asian Art News and World Sculpture News. She is an Art Tour leader for the AGNSW Members, and lectures regularly on the state of the arts. She is based in Mittagong, regional NSW. Instagram: fairleygina

Gina Fairley's Latest Articles

Opinions & Analysis

Don’t kill the feeders

Short term thinking is destroying the arts ecology by stripping it from the grassroots up.

News

How 3D printing is changing art

As 3D printing becomes more widely available, artists are embracing it for a range of uses.

Features

Is Berlin a bubble about to burst?

Artists and dealers from all over the world have been fuelled by this international creative hub but is the Berlin…

Features

First Australian gallery to open in Asia

On the eve of Australia’s first commercial gallery opening in Singapore we talk about the impact of risk and vision…

News

How the arts sector is grieving

From shock to anger to acceptance, the stages of mourning are all too evident as the arts sector copes with…

News

A guide to the best creative art trails

From augmented apps and self-guided maps, to guided tours, we give you the lowdown on unique ways to engage with…

Career Advice

Audit your copyright assets for dollars

Copyright is not a simply case of protection; by strategically planning and auditing their copyright organisations can monetise those assets.

Features

Making “sense” of the visitor experience

By activating senses other than sight, curators force audiences out of their zone of complacent viewing

News

Trending: Yoga in the Museum

Does your yoga practice need a little visual inspiration – a little creative connection? A wellness trend emerging internationally across…

News

Political works unite TATE, MCA and QANTAS

Politically pesky artworks present a renewed image of contemporary Australian art to British audiences.

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