Gina Fairley

Gina Fairley is ArtsHub's National Visual Arts Editor. For a decade she worked as a freelance writer and curator across Southeast Asia and was previously the Regional Contributing Editor for Hong Kong based magazines Asian Art News and World Sculpture News. Prior to writing she worked as an arts manager in America and Australia for 14 years, including the regional gallery, biennale and commercial sectors. She is based in Mittagong, regional NSW. Twitter: @ginafairley Instagram: fairleygina

Gina Fairley's Latest Articles

Features

Get em young and reap the long-term outcomes

Research has shown that over 60% of recent visitors attended cultural organisations as children, findings which have significant ramifications for…

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Between Nature and Sin: David Griggs

While the retinal ping of David Griggs' survey captures attention, it is the narrative of an expat artist working regionally…

News

Why are so many commercial galleries closing?

Watters Gallery calls it a day, joining a string of galleries that have closed their doors globally, but some experts…

Opinions & Analysis

Does predictability make a good exhibition?

Predictability wins when surveying the art scene of another nation – in this case the Philippines – rather than the…

News

Cultural diplomacy starts with an opportunity

Eleven arts and cultural organisations have shared in the 2017 Australian Cultural Diplomacy Grants, announced by the Minister for Foreign…

News

Politically charged artwork wins this year’s Telstra Award

The winners have been announced for Australia’s most prestigious award for Indigenous art, and the top work goes to an…

News

British artist bans PM from buying his art

What do fresh air, English soil and shit have in common? All have been canned, bagged and sold in the…

Features

Tarnanthi curator talks race relations and the power of art

ArtsHub takes a journey to APY Lands with curator Nici Cumpston and talks politics, understanding and impact in the lead…

News

What’s all the “bloody” fuss about?

This month, a number of exhibitions will have you seeing red, but is all the hype about blood just old…

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Jenny Watson: The fabric of fantasy

While her Venice Biennale spotlight may have been premature, Jenny Watson's mark on Australian art history has been indelible.

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