Artists take VR to the next level

The criticism plaguing VR is that while it is great technology the content is dismal. Artists are pushing the form through new commissions at ACMI.
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Joel Yawanawa looks at dailies in the cardboard VR viewer. Created by Lynette Wallworth. Photo by Greg Downing.

The first of the Mordant Family VR Commissions was rolled out last month, a second is slated to open in May at Australian Centre for the Moving Image (ACMI).

The commissions mark a big investment in new technologies, with the $240,000 initiative aiming to give VR’s cutting edge technology a shot in the arm, after coming under criticism that the quality of content presented often failed to match the technology’s innovative capacity.

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Gina Fairley is ArtsHub's Senior Contributor, after 12 years in the role as National Visual Arts Editor. She has worked for extended periods in America and Southeast Asia, as gallerist, arts administrator and regional contributing editor for a number of magazines, including Hong Kong based Asian Art News and World Sculpture News. She is an Art Tour leader for the AGNSW Members, and lectures regularly on the state of the arts. She is based in Mittagong, regional NSW. Instagram: fairleygina