Booking for sustainability – building a relationship with a venue

Carriageworks Director, Lisa Havilah says that building long-term relationships with artists, and ensuring they have a purpose, is key to the sustainability of an institution.
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Ryoji Ikeda, The Planck Universe [macro] (2015), 3 DLP video projectors, computers, speakers. Image Martin Wagenham, courtesy of ZKM Karlsruhe.

This month Japanese artist Ryoji Ikeda returns to Sydney’s Carriageworks for the third time to premiere the micro | macro exhibition. Later in the year, American artist Nick Cave also returns to create the multi arts venue’s most ambitious project over its six years of programming.

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Gina Fairley is ArtsHub's National Visual Arts Editor. For a decade she worked as a freelance writer and curator across Southeast Asia and was previously the Regional Contributing Editor for Hong Kong based magazines Asian Art News and World Sculpture News. Prior to writing she worked as an arts manager in America and Australia for 14 years, including the regional gallery, biennale and commercial sectors. She is based in Mittagong, regional NSW. Twitter: @ginafairley Instagram: fairleygina

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