Booking for sustainability – building a relationship with a venue

Carriageworks Director, Lisa Havilah says that building long-term relationships with artists, and ensuring they have a purpose, is key to the sustainability of an institution.
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Ryoji Ikeda, The Planck Universe [macro] (2015), 3 DLP video projectors, computers, speakers. Image Martin Wagenham, courtesy of ZKM Karlsruhe.

This month Japanese artist Ryoji Ikeda returns to Sydney’s Carriageworks for the third time to premiere the micro | macro exhibition. Later in the year, American artist Nick Cave also returns to create the multi arts venue’s most ambitious project over its six years of programming.

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Gina Fairley is ArtsHub's Senior Contributor, after 12 years in the role as National Visual Arts Editor. She has worked for extended periods in America and Southeast Asia, as gallerist, arts administrator and regional contributing editor for a number of magazines, including Hong Kong based Asian Art News and World Sculpture News. She is an Art Tour leader for the AGNSW Members, and lectures regularly on the state of the arts. She is based in Mittagong, regional NSW. Instagram: fairleygina