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Installation view of light art exhibition of Aboriginal art, at night. Parrtjima
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How my festival inclusion started with coffee and a yarn

Animator-illustrator Molly Hunt shares insights into creating a new work for Parrtjima, as the Festival of Light celebrates its 10th…

Emily Imeson, ‘Floating QLD Waratah turned Flame Tree Season,’ 2021 (detail), recycled timber, acrylic on canvas, thread, batik earth-stained cotton, 210 x 240cm. Courtesy of the artist. A photo of a forest-themed artwork, including a curved piece of wood which helps frame the image.
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Strong like the forest: how a regional gallery’s ecosystem connects artists and community

Guest curator Christine Willcocks discusses the environmental and creative themes behind the Grafton Regional Gallery exhibition, ‘True North: From the…

Two male art students in studio making silk screen prints. NAS.
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NAS Open Day the first step in nurturing professional careers

Get your head around studio learning, and find your community, at NAS Open Day 2025.

Man with long brown hair and beard in mountain landscape. Blue Mountains.
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How are artists eco disruptors?

A new exhibition and video interview series challenges our actions around climate change, putting words into action at the Blue…

Tow men wearing pink hoodies and cake smudged on their faces. Dowel Jones.
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How collaboration bolsters creativity

Victorian design studio Dowel Jones has involved over 2000 collaborators to create its new exhibition at the National Wool Museum.

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Exhibition focuses on a next generation of Torres Strait Island artists

Curatorial collaboration celebrates diversity of new making and greater exposure at NorthSite Contemporary Arts.

Canberra Museum and Gallery. A group of metal cylinders in shades of bronze and blue patina are grouped against a white brick wall. The one on the far left is bubbly at the top as if it has been underwater or in an acid bath.
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The slippery nexus between sculpture and design and the agency of materials

Canberra Museum and Gallery has a new exhibition: Materiality… but not as we know it.

Hands of First Nations person holding charcoal against background of tree. Yarrabah
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Charcoal exhibition united through art-making

Charcoal symbolises renewal, and a new exhibition explores the medium for Reconciliation Week.

Miscellaneous organic objects as an artwork in a white gallery setting.
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A prize that rethinks the art/science connection

Two decades on, and the way we consider the nexus of science and art has changed dramatically, as evidenced by…

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All materials possible, but watch out for size and weight

Deakin University’s Contemporary Small Sculpture Award returns with three entry opportunities for solo or collaborative work.

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