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Video in orange coloured room. Primavera 2024
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Exhibition review: Primavera 2024: Young Australian Artists, MCA

Now in its 33rd year, this year’s Primavera manages to deliver a dynamic exhibition via its fresh crop of artists.

A group of performers are dancing in a gallery space. There are images of trees and mountains on screen panels around them.
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Performance and exhibition review: Ground Beneath/Ocean Between, Queen Victoria Museum and Arts Gallery

A dance and video installation of a regional youth dance troupe.

pink tones of back lighting with group of dancers silhouetted against it. Angelica Mesiti
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Exhibition review: Angelica Mesiti: The Rites of When, AGNSW

Angelica Mesiti delivers a complex and immersive video work, but it is overshadowed by the architecture of the Tank gallery.

Artwork by Khaled Sabsabi hang from the ceilings. There is a video still on the left.
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Exhibition review: Khaled Sabsabi, The Lock Up

A significant survey of works from the renowned Lebanese Australian artist.

Mindy Meng Wang and Monica Lim, ‘Guài 怪’, installation view as part of ‘SCI-FI: Mythologies Transformed’. An installation of three video scenes that are interactive with a participant standing in front of it with arms outstretched, seemingly controlling a digital avatar.
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Exhibition review: SCI-FI: Mythologies Transformed, Science Gallery Melbourne

Disrupting gender and racial stereotypes in sci-fi.

‘Candice Lin: The Sex Life of Stone’, installation view at MUMA. An installation resembling three work stations with different lab equipment and large ceramic vessels beside each station. The space is filled with natural light thanks to a floor to ceiling window on the left side. The walls of the gallery space are paintings in a dark mahogany colour.
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Exhibition review: Candice Lin: The Sex Life of Stone, MUMA

Mineral politics, animal kinship and dark demonic romance come together in the work of Chinese American multidisciplinary artist Candice LIn.

‘(SC)OOT(ER)ING around Su san Cohn and Eugenia Raskopoulos’, installation view at TarraWarra Museum of Art. On the left is a red neon installation of cardiograms and to the left is a metal installation of three poles with doughnut bracelets. In the centre are a series of square surfaces lying on the floor.
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Exhibition review: (SC)OOT(ER)ING around, TarraWarra Museum of Art

Matriarchal artists Su san Cohn and Eugenia Raskopoulos join forces in an expertly curated exhibition at TarraWarra.

Ukraine Guernica. Image is a painting of a wartorn destruction with a large teddy bear sitting in the middle and a skull floating in the right hand top corner.
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Exhibition review: George Gittoes: Ukraine Guernica, Hazelhurst Arts Centre

The desolation and insanity of war is on stark display in this powerful exhibition.

Installation view of ‘The same crowd never gathers twice’, Buxton Contemporary, the University of Melbourne, 2024. Featuring Cate Consandine, ‘RINGER’, 2024. Image: Courtesy of the artist and Sarah Scout Presents. Photo: Christian Capurro. Three channel video showing roller derby players in a blue and purple hue.
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Exhibition review: The same crowd never gathers twice, Buxton Contemporary

Five installations and video works with keen spatial awareness, but where is “the crowd”?

Image is a dark gallery with a shiny wooden floor and a white box seat. On the walls are two 3D pieces, one a cupboard like work and the other comprising abstract faces.
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Exhibition review: Odalala, nireekshane and Uyirvu, Arts House

Australian and international artists examine histories of caste, migration, gender and sexuality.

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