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'We make so many sacrifices so our girls can dance'
Dance education is in decline, with financial barriers deterring prospective students and families, finds new report.
What does a disability-led audition process look like?
With an ensemble call-out and funding for new work, Sprung Dance Theatre is building upon existing disability-led frameworks to expand…
What the future has in store for Queensland Ballet
After Queensland Ballet’s growth as an internationally recognised arts company, Executive Director Dilshani Weerasinghe considers its achievements and next steps.
Same-sex versions of Romeo & Juliet setting new bar on ballet's mainstage
Does the upcoming ballet season of Romeo & Juliet at Sydney Opera House challenge convention or is it simply a…
Remounting a Stolen Generations story told through dance
Remounting ‘The Other Side of Me’ has allowed NT choreographer Gary Lang to enrich its beauty and potency, he explains.
Why are we still watching La Bayadère?
Will this popular ballet join the likes of 'Miss Saigon' and 'Turandot' as a work deemed too culturally insensitive for…
In conversation: Gail Mabo on curating and legacy
Dancer cum choreographer cum artist, Gail Mabo turns her hand to curating as a way to share culture.
Exit interview: Tim Newth AM, Tracks Dance Company
From active listening to rethinking what it means to be an Australian artist, Tim Newth reflects on a 35-year practice…
Adelaide Festival midpoint round-up
Adelaide Festival is in full swing. What were the standout elements for a first time visitor mid-festival?
How to evolve an art form
Former Irish dance champion Brent Pace, an Italian-Australian boy from East Keilor, is trying to push the art form in…
