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Gluck's Orpheus & Eurydice will be staged in Melbourne in 2025. Pictured are the Opera Australia Chorus and Circa in Opera Australia's 2024 production of Orpheus & Eurydice.
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ArtsHub’s 2025 season guide to the performing arts

Our rolling guide to the season announcements you may have missed.

Two grey haired women sit behind a long table with their hands clasped in front of them and a red backdrop behind. On the left Susie Dee has a messy bun, glasses and a light brown scarf. On the right Patricia Cornelius wears a black jumper.
Features

The 60-somethings ruling the roost this Melbourne Fringe

To borrow the words of the Bard (and Enobarbus), age cannot wither them, nor custom stale their infinite variety.

Australian athlete Raygun gave a controversial breakdancing performance in Paris, 2024.
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Raygun, breakdancing and online hate: what next for Australian street dancers?

Raygun's controversial Olympics breakdancing performance has triggered online bullying for the Australian dance community.

Artist Chris Dyke, performing with the signature Banksy heart balloon.
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Banksy inspires innovative new dance work

A decade-long collaboration sees Chris Dyke, a choreographer and dancer with Down syndrome, building a new work inspired by world-famous…

Silence & Rapture. A female dancer with slicked back dark hair has one leg bent with her foot touching her other knee and one arm stretching up and the other across to a bald headed man standing and playing a double bass. They are in a wharf building converted to a studio/stage space.
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The rapturous reunion of the Sydney Dance Company and Australian Chamber Orchestra

Sydney Dance Company has teamed up with the Australian Chamber Orchestra once more on a heavenly tour.

Pursuing a career as a dancer comes with financial burdens and an uncertain future. Two dancers wearing light brown workwear onesies in a white space. One is sitting with one foot propped up on the chair, their hand on their head, and another is standing behind in an elegant stance, extending their arms and one leg.
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'We make so many sacrifices so our girls can dance'

Dance education is in decline, with financial barriers deterring prospective students and families, finds new report.

Sprung Ensemble member, Sinead Skorka Brennan in ‘O, How I Dreamt of Things Impossible’, 2020. Photo: Kate Holmes. A performer on a darkened stage with a colourful bodysuit. The performer lowered their body, supported by their arms and legs like a spider pose.
Features

What does a disability-led audition process look like?

With an ensemble call-out and funding for new work, Sprung Dance Theatre is building upon existing disability-led frameworks to expand…

Queensland Ballet. Three buildings next to each other. One a brick two-storey house with five windows and a door, the middle is a recessed glass and concrete ballet centre, and on the right is a large glass facade.
Features

What the future has in store for Queensland Ballet

After Queensland Ballet’s growth as an internationally recognised arts company, Executive Director Dilshani Weerasinghe considers its achievements and next steps.

Romeo & Juliet. Two male dancers, onstage against a red backdrop. One is leaning back with their arms open wide, while the other supporting them.
Features

Same-sex versions of Romeo & Juliet setting new bar on ballet's mainstage

Does the upcoming ballet season of Romeo & Juliet at Sydney Opera House challenge convention or is it simply a…

Two Aboriginal men dance together, both dressed in orange prison overalls. One, fully dressed and with a shaved head, supports the other man, who has curly hair and is shirtless, his overalls tied around his waist.
Features

Remounting a Stolen Generations story told through dance

Remounting ‘The Other Side of Me’ has allowed NT choreographer Gary Lang to enrich its beauty and potency, he explains.

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