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the Odd Couple. On a stage set of a New York apartment in the 1960s four white actors stand centre stage. On the left is a man in a brown jacket side on, addressing the others. Next to him is a fastidious man in a blue suit and red tie, holding something covered in a tea towel. Next is a blonde woman with a yellow, pink and white sleeveless dress and finally a woman with short dark hair and a yellow and green sleeveless dress. She is also facing in to the others.
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Theatre review: The Odd Couple, Comedy Theatre

Decades later, Neil Simon's play still feels sharp and relatable.

Candide. Four singers lined up. In the middle are a man in blue shirt and shorts with red braces and a woman in a green strappy 1950s type house dress with a little apron. On either side are two women - one all in orange, including her glasses frames and a wig, and the other the same but in yellow.
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Opera review: Candide, Her Majesty's Theatre

A joyous musical confection and a colourful celebration of self-discovery.

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Opera review: Tosca, Margaret Court Arena

After not bringing staged operas to Melbourne last year, Opera Australia’s production of 'Tosca' wasn’t enough to quench the audience's…

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Performance review: FAKE, The Rechabite

This interactive exploration of our online “realities” and our true selves proves a stirring journey.

The Changing Room. On the left a blocky colourful illustration of a window with open red drapes looking out on a starry moonlit sky above a blue mountain range. On the right a 30-something white woman slightly turned to the right, with tied back light brown hair, a green flowery dress and a denim jacket.
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Book review: The Changing Room, Belinda Cranston

A story of someone trying to come of age in a world of possibilities.

Charles Maimarosia. Image is a Pacific Islander man adorned with layers and layers of beaded necklaces. He has a white headband, braided hair and wears a short sleeved black T shirt over a long sleeved white one. He has a white stripe under each eye.
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Performance review: Charles Maimarosia, Melbourne Recital Centre

Charles Maimaosia's intimate performance was spellbinding, soulful and energetic.

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Music review: Symphony Fantastic, QPAC

Love, lust and madness in an all-French program of delightful music with added extras.  

The Word. On a dark stage a group of young people sit in a huddle. They wear shades of green and are turned to a young woman in the middle who is standing. Some of them point at her.
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Theatre review: The Word, Abbotsford Convent

A youthful cast of 11 grapple with meaning and the power and absence of words.

SOL Gallery. Image by artist Demetrious Vakras of night sky and a naked woman facing away from us, her lower half dissolving into an x-ray type biomechanical image. To her right is a small fire and to her left is a skull.
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Exhibition review: Andrew Fyfe, Joanna Wolthuizen, Lee-Anne Raymond, Demetrios Vakras, SOL Gallery

SOL Gallery’s latest exhibition is another triumph of Melbourne’s artistic diversity and character.

Ulster American. Three actors on a stage set of a loft type apartment. A woman in a short sleeved lilac jumper sits downstage. Behind her centre stage is a bearded man all in black with a baseball cap backwards and an Oscar in his outstretched hand; he is shouting. A third balding man with glasses stands on the right behind a tan leather couch clasping his hands and watching the man in the centre.
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Theatre review: Ulster American, Ensemble Theatre

Feminism, #MeToo, toxic masculinity, the Northern Irish ‘Troubles’ and the theatre itself are dissected in this provocative work.

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