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Orpheus & Eurydice review: a magisterial marvel
Opera Australia’s collaboration with Circa breathes dazzling new life into Gluck’s mythology-mining Orpheus & Eurydice.
O,D,E review: Sage J Harlow's experimental opera about Orpheus & Eurydice thrills
O,D,E, based on the Ancient Greek story of Orpheus and Eurydice, is a treat for the soul.
The Magic Flute review: a first-of-its-kind opera collaboration in Adelaide
State Opera South Australia’s The Magic Flute is opera for our times.
La Bohème review: now relocated to 1930s Berlin at the Sydney Opera House
La Bohème is an operatic classic that still charms, but shows its age.
The Marriage of Figaro review: a favourite returns to Sydney Opera House
The Marriage of Figaro, Mozart's classic comedy, is never boring thanks to Opera Australia.
Rusalka review: a near-perfect staging of Dvořák's most famous opera
Opera Australia’s new production of Rusalka is opera at its enchanting best.
Carmen review: a new look for a classic opera at Sydney Opera House
One of the most famous operas of the 19th century gets a 21st century makeover.
Opera review: Aphrodite, Carriageworks
A collaboration between the Sydney Chamber Opera and Omega Ensemble that favours cerebral engagement over emotional impact.
Opera review: Samson & Delilah, Palais Theatre
Engaging musical performance meets middling narrative delivery in this traditional interpretation of an ancient story.
Opera review: Flight, Her Majesty’s Theatre
State Opera South Australia’s ‘Flight’ is opera for our times.
