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From proscenium arch to place-based: reimagining Wildskin
Adapting an existing work for an entirely new setting is not without its challenges, but overcoming such challenges leads to…
Are auditions for acting schools fair?
Auditions at acting schools have become a mini industry. But many are concerned about the practice's economics and accessibility.
Celebrating connection and story: Canberra Symphony Orchestra’s 75th anniversary season
Jessica Cottis, Artistic Director and Chief Conductor of the CSO, discusses her 2025 season and the importance of commissioning new…
Trent Dalton's Love Stories – stage adaptation premieres at Brisbane Festival
After the immense success of 'Boy Swallows Universe', Dalton returns to the Brisbane stage with a new theatrical adaptation.
The National Circus Festival: growing grassroots circus in the regions
With an emphasis on circus training and community-building as much as entertainment, the National Circus Festival is a major event…
Raygun, breakdancing and online hate: what next for Australian street dancers?
Raygun's controversial Olympics breakdancing performance has triggered online bullying for the Australian dance community.
First-ever Festival of Australian Queer Theatre welcomes authentic disruption
Curator Dr Robert Reid explains the thinking behind a festival dedicated to Australian queer theatre that brings together makers and…
Banksy inspires innovative new dance work
A decade-long collaboration sees Chris Dyke, a choreographer and dancer with Down syndrome, building a new work inspired by world-famous…
Edinburgh Festival Fringe: blood, sweat, tears and a truckload of money
Have the costs of taking a show to the biggest Fringe Festival on the planet finally become too much?
The rapturous reunion of the Sydney Dance Company and Australian Chamber Orchestra
Sydney Dance Company has teamed up with the Australian Chamber Orchestra once more on a heavenly tour.
