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Mary Said What She Said review: Isabelle Huppert's masterful turn as Mary Queen of Scots
The French actor delivered an unforgettable and commanding performance in Mary Said What She Said at Adelaide Festival.
Year of the Rooster review: bold costumes and wild buffoonery are not quite enough
The third play in a series dubbed The Beast Trilogy, Year of the Rooster is a visual treat.
On the move: latest arts sector appointments
This week's Australian arts sector appointments include Opera Australia's new Director of Opera.
Dancing in CERCLES: Perth Festival show excels at bringing people together
An epic international dance project spotlighting the power of public dance was one of the greatest achievements of this year’s…
How to embrace 'radical access' in the arts
There's so much to learn from the organisations and allies fighting for more inclusive and accessible arts and screen industries.
Sydney finally has a Cinémathèque – what took so long?
For the first time in decades, Sydney has a cinémathèque dedicated to curated film.
Monteverdi's Vespers and Orfeo review: two 5-star baroque masterpieces at Adelaide Festival
Ensemble Pygmalion's performances of Monteverdi's Vespers and the opera Orfeo were baroque masterpieces for a neo-baroque age.
Mary Said What She Said is a stunning solo act
Acclaimed French actress Isabelle Huppert is hypnotic as the doomed Queen of Scots in this Adelaide Festival production of Mary…
The Tiger Lillies review: dead funny cabaret at Adelaide Festival
The Tiger Lillies didn't bring the energy they're known for to this Adelaide Festival performance of Serenade from the Sewer.
Best opportunities, grants & awards for creatives: 9 to 15 March 2026
Throw your hat in the ring, with opportunities for writers, visual artists, screen industry, and more.
