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2026 Adelaide Festival reveals its first two productions
Fearless French actor Isabelle Huppert and acclaimed early music specialists Ensemble Pygmalion will perform exclusively at the 2026 Adelaide Festival.
The Last Princess of Lebanon review: looking back at one's heritage
The Last Princess of Lebanon explores a great-grandmother's journey from a Lebanese palace to rural Queensland.
Destiny review: an MTC production that explores South Africa under Apartheid
Destiny, by promising playwright Kirsty Marillier showcases life under South African Apartheid but misses opportunities to deliver an emotional, philosophical…
Ordinary Days review: a new New-York set musical at fortyfivedownstairs
Ordinary Days is an ode to chance encounters and the magic waiting to be found in metropolitan life
Lost and Finding review: raw energy at Flight Path Theatre
Lost and Finding is a fantastical comedy with a sense of adventure (and puppets).
The 39 Steps review: Hitchcock gets the slapstick treatment
Hitchcock spy thriller meets Monty Python-style humour in The 39 Steps, a rollicking action-comedy.
Trophy Boys review: boys will be boys on tour
Runaway hit play Trophy Boys returns to excoriate a world of privilege and male collusion.
Vale Uncle Noel Tovey AM: Indigenous champion of gay rights
Tovey is remembered for his spirit, courage and creativity, and as a courageous elder with a sly wit.
The Orchard review: Pony's Cam's radical interpretation of Chekov classic at the Malthouse
In The Orchard Chekov’s classic play is deconstructed as the jumping-off point for a smart, uncompromising rant against our dehumanised…
In The Heights review: Lin-Manuel Miranda will have you dancing in your seat
In The Heights, by the theatrical force behind Hamilton, pulses with heritage and history.
