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Performance review: Limbo – The Return, The Grand Electric
Strut & Fret hits the mark with this bacchanalian mix of cabaret, circus and acrobatics.Â
Performance review: The 2024 Variety Gala, Adelaide Cabaret Festival, Festival Theatre
A charcuterie plate of cabaret excellence!
Comedy review: Reuben Kaye, Apocalipstik, The Malthouse, MICF 2024
A force of deliciously bent nature, Kaye delivers again.
Comedy review: Mel & Sam: The Platonic Human Centipede, The Toff in Town, MICF 2024
Queer besties' new musical comedy is smart and ridiculous.
Opera review: The Threepenny Opera, Her Majesty's Theatre, Adelaide Festival
Searing satire and a rage against capitalism wrapped up in a love story.
Performance reviews: Smashed: The Nightcap, The Chosen Haram and Peter Cat Recording Co., Sydney Festival
A smorgasbord of cabaret, theatre and live music at the Sydney Festival.
Performance review: Dangerous Goods, QPAC
A high-octane cabaret that includes circus, aerials, drag and burlesque.
Cabaret review: A Very Naughty Christmas, Alex Theatre
A Christmas-themed show that felt divorced from anything remotely boundary-pushing, gender-bending or creative.
Performance review: Gatsby at the Green Light, The Studio, Sydney Opera House
Craig Ilott and Stuart Couzens have adapted 'The Great Gatsby' into an exhilarating performance set in a 1920s bar. Â
Performance Reviews: HIGH PONY, LOOPS, Black Widow, Melbourne Fringe Festival
Four Melbourne Fringe Festival works show the range on offer, from comedy to circus, cabaret and street tours.