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Finding agency over paternalism for regional galleries
ArtsHub speaks with Holly Arden about the challenges of running a gallery in Far North Queensland, tourism and notions of…
My arts job in 2030
Have you hedged your bets correctly? Does your job have a future – or a different future? ArtsHub takes a…
Q&A: Susi Muddiman on her move from Tweed to HOTA
After 16 years at the helm of Tweed Regional Gallery, the gallery director heads to the glitz of the Gold…
Australian Kirsten Lacy, permanently at the helm of Auckland Art Gallery
Addressing cultural cringe and putting First Nations first, Kirsten Lacy reflects on her first four years in charge at Toi…
Me and my mentor: Britt Salt and Hannah Gartside
Visual artists Britt Salt and Hannah Gartside are both interested in real bodies moving through their installations. They were paired…
Why I studied ... Bachelor of Design (Interior Architecture) at QUT
During COVID, artist S-J Botham went back to study, finding a passion for design and its potential to create social…
Gallery wall labels: short, long, digital or none at all?
ArtsHub takes a look at the shifting dynamic around gallery didactics: what has changed, and are we doing wall labels…
Déjà vu: Robert Leonard on returning to Brisbane’s IMA
After a decade's hiatus between stints as Director, Robert Leonard’s return to the IMA in Brisbane is a win all…
Keeping it genuine: running a gallery in the NT
After 22 years, RAFT artspace director Dallas Gold is shifting up the model to address market pressures and connect with…
So you want my arts job: Visitor Services Officer
Molly Desmond is a Visitor Services Officer, but what does that mean?
