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ADELAIDE FRINGE FESTIVAL REVIEW: 3xperimentia: Live Cut
3xperimentia: Live Cut now in its Adelaide Fringe Festival season was created by award winning international choreographer, Amanda Phillips and,…
MELBOURNE ARTS CENTRE REVIEW: Natacha Atlas
At Natacha’s Melbourne show at the Arts Centre, the audience was treated to this ‘East meets West’ medley, of mesmerizing…
ADELAIDE FRINGE FESTIVAL REVIEW: A Hollow Trophy
Patrick Flynn in the Adelaide Fringe Festival's Hollow Trophy is a very convincing ‘Aussie Rules Footy Hero’, lock up your…
ADELAIDE FRINGE FESTIVAL REVIEW: Capture
Adelaide Fringe Festival's Capture, from Playground, is showing at Colour Cosmetica, which is actually a Hair studio, so very small…
ADELAIDE FRINGE FESTIVAL REVIEW: Mujahid Ahmed is on African Time
Presented by Mujahid Ahmed at the Lion Arts Centre is the Adelaide Fringe Festival's Mujahid Ahmed is on African Time.
ADELAIDE FRINGE FESTIVAL REVIEW: Ashes to Ashes: songs of loss and longing
Up until this night I had never heard of or seen a ‘uni-tard’. I certainly wouldn’t have expected my first…
SYDNEY OPERA HOUSE REVIEW: Sa Dingding
Hemispheres is the world music programme of the Sydney Opera House, bringing to Sydney a wide range of artists from…
ADELAIDE FRINGE FESTIVAL: Chopper’s F*ckin Bingo Starring Heath Franklin
Adelaide Fringe Festival's Chopper’s F*ckin Bingo Starring Heath Franklin is currently showing at the plush red and gold drapes of…
ADELAIDE FRINGE FESTIVAL REVIEW: The Planets
The Adelaide Fringe Festival's The Planets was originally composed by Gustav Holst, back in 1913, and was first performed in…
CHUNKY MOVE DANCE REVIEW: Mortal Engine
The Melbourne production of Chunky Move's Mortal Engine received an acclaiming and enthusiast welcome on its opening night in Melbourne…
