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Thérèse Raquin
Gary Abrahams is proving a fascinating director with his never-ending ability to surprise.
Griffith Review #45: The Way We Work
Griffith Review devotes its 45th edition to the pressing questions and emergent challenges of the day within the prism of…
Synaesthesia+
A two-day sensory wonderland overtook MONA during Synaesthesia+.
Nora
It’s not surprising that this opening night started with a full house and ended with a significant reduction of patrons.
Threefold: Webber / Hill / Huang Yi
These dancers and the choreographers are accomplished artists, adept in portraying our deepest and innermost feelings.
Hard Core on the Fly: #2
In the second performance of a month-long residency, the musicians explored ideas, textures and philosophies of sound.
Constellations
Payne's script is ingenius, with snappy dialogue and compelling characters; Palmer puts in one of the performances of the year.
The Seagull
A production that has lost its path between tradition and innovation.
The Girl Who Forgot to Sing Badly
The adventure embraces sadness, tragedy – and, aimed at over six audience, ‘bloody’ gore – in an entire theatrical experience.
Mungo MacCallum: The Whitlam Mob
MacCallum gives glimpses of politicians that somehow morph into meaningful, albeit all too brief, insights.
