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Review: Hrafn: Conversations with Odin, Dark Mofo (TAS)

This immersive sound installation in the depths of the Tasmanian bush is deceptively simple yet strikingly profound.

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Review: Monet: Impression Sunrise, NGA

A new exhibition brings to light a Monet work previously unseen in Australia that launched the movement.

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Review: Herbie Hancock, Riverside Theatre (WA)

A little less flash would have improved this concert from the Grammy-winning jazz pianist.

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Review: End of the Rainbow, Adelaide Cabaret Festival

Helen Dallimore captures the complexity of Garland’s character in a stellar performance.

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Review: Gershwin Reimagined, Melbourne Symphony Orchestra/MIJF

Laura Mvula’s spectacular performance transcends the score while still paying respect to Gershwin’s original intentions.

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Review: Escaped Alone, Red Stitch Actors Theatre (VIC)

This is a lean, whip-smart play, about hope and community, private anguish, and terrible rage.

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Review: Lonnie Holley, Melbourne Recital Centre/MIJF

The sculptor-turned-singer’s free-flowing compositions defy categorisation.

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Review: The Spooky Men’s Chorale, Civic Theatre Newcastle (NSW)

They’re like a choral group that does really funny political commentary and jokes about masculinity.

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Review: Billy Childs: Rebirth, Melbourne Recital Centre/MIJF

A jazz legend pulls out all the tricks in a virtuoso ensemble.

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Review: THEM, La Mama Theatre (VIC)

THEM challenges dominant depictions of refugees but its focus on humanity can slip into melodrama.

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