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Performance exchange – the new way of touring?
It's a 'Disaster' waiting to happen – and that's a good thing for all involved. Find out how the NZ…
The 60-somethings ruling the roost this Melbourne Fringe
To borrow the words of the Bard (and Enobarbus), age cannot wither them, nor custom stale their infinite variety.
Cross-sector theatre partnership to dive deep into family violence
A theatre company with two successful cross-sector partnerships already to its name continues its work with community organisations to cast…
From proscenium arch to place-based: reimagining Wildskin
Adapting an existing work for an entirely new setting is not without its challenges, but overcoming such challenges leads to…
Trent Dalton's Love Stories – stage adaptation premieres at Brisbane Festival
After the immense success of 'Boy Swallows Universe', Dalton returns to the Brisbane stage with a new theatrical adaptation.
Vale Ray Lawler: the playwright who changed the sound of Australian theatre
Julian Meyrick reflects on the death of playwright Ray Lawler and his landmark play, 'Summer of the Seventeenth Doll'.
Exciting opportunities for playwrights
Hardly any theatre companies will accept unsolicited scripts. Most playwrights make their way through prizes and programs. We've gathered this…
What does a disability-led audition process look like?
With an ensemble call-out and funding for new work, Sprung Dance Theatre is building upon existing disability-led frameworks to expand…
Hate transmuted into theatrical gold in new staged reading of The Laramie Project
A Sydney reading of the verbatim play about Matthew Shepard’s murder will feature Shepard’s father, Dennis, reading his courtroom statement.
Hairy Potter – selling a show when the author is persona non grata
While the creator of the Potter-verse may no longer be everyone's favourite multimillionaire, there are still plenty in the sector…
