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Exhibition review: Hoda Afshar – A Curve is a Broken Line, AGNSW
This exhibition is the artist's first major solo and lives up to the visual and contextual depth of her works.
Exhibition review: Know My Name: Making it Modern, NGA
The third instalment in the NGA series, ‘Know My Name: Making it Modern’ is a beautiful show that encapsulates Australian…
Exhibition review: Pantini Kalijarrala Ngatiki, Wapami Kalijarra Wirliyala, Suzanne O’Connell Gallery
Warlpiri sisters Julie Nangala Robertson and Sabrina Nangala Robertson celebrate Country, Culture and heritage with transportive works.
Exhibition review: Jemima Wyman, Sullivan+Strumpf, Melbourne
With each meticulously constructed collage, Jemima Wyman’s solo exhibition ‘World Cloud’ offers viewers transcendence.
Exhibition review: Open Borders, John Curtin Gallery
Contemporary arts and curatorial practice opens a dialogue with regional and remote Western Australia.
Exhibition review: Between Waves, ACCA
The third iteration of the Yalingwa series, ‘Between Waves’ resets binaries to find a delicate in-between space.
Exhibition review: Twist, Tasmanian Museum and Art Gallery
‘Twist’ is one of those rare exhibitions that hit the mark on both depth and scope, with curious encounters and…
Exhibition review: Henri van Noordenburg, Logan Art Gallery
Revising Renaissance techniques from the Netherlands, aspects of ’Still Water’ may elude some audiences. But this is why viewing should…
Exhibition review: Pre-Raphaelites and In the Company of Morris, Art Gallery of Ballarat
Two interwoven exhibitions at the Art Gallery of Ballarat are presented in the spirit of the Pre-Raphaelites with new contemporary…
Exhibition review: Pierre Bonnard: Designed by India Mahdavi, NGV
What is gained, and lost, in the NGV's latest masterpieces blockbuster featuring French painter Pierre Bonnard and designer India Mahdavi.
