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Salote Tawale, ‘I remember you’, installation view at Carriageworks, 2023. Photo: Zan Wimberley. Installation of a Fijian home in a white-cube gallery space. At the front is a free-standing painting that shows two young children with brown skin and their faces hollowed out.
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Exhibition review: Salote Tawale, Carriageworks

An exhibition that transports viewers and explores how objects become vessels of identity.

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School activities review: Slow Art Collective: Pavilion 2024, Abbotsford Convent

A free, immersive and creative workshop experiences for kids.

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Exhibition review: Brent Harris, TarraWarra Museum of Art

Brent Harris' ambiguous and surreal forms explore the body, familial relationships and (post) death.

Group of dog sculptures in gallery with pink walls. Ngununggula
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Exhibition review: New Dog Old Tricks, Ngununggula

This summer exhibition demonstrates the complex roles dogs play in society and taps into the human condition.

‘John Nixon—Four Decades, Five Hundred Prints’ installation view at Geelong Gallery. Photo: ArtsHub. Exhibition space with white wall and timber floor, filled with prints and works on paper displayed on wooden tables.
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Exhibition review: John Nixon – Four Decades, Five Hundred Prints, Geelong Gallery

An expansive collection of prints by John Nixon reveals his philosophy about blurring the boundaries between art and life.

Photo: Supplied. On the left is a black and white photo of Rodney James, a middle-aged man with light skin and light curly hair, wearing black rimmed glasses and a suite. He is shown from the shoulders up. The right is a cover of the book with a light brown background, a illustration of a man wearing a suit and the words ‘Alan McCulloch’s World of Art | LETTERS TO A CRITIC | Rodney James’.
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Book review: Letters to a Critic: Alan McCulloch’s World of Art, Rodney James

An invitation to know the artist, cartoonist and critic, Alan McCulloch, more intimately than through his writing alone.

LISA GORMAN + MIRKA MORA, installation view at Warrnambool Art Gallery. Photo: Supplied. An exhibition space partitioned with orange, dark turquoise and pink sheer curtains. In front of the curtains hang embroideries by Mirka Mora and clothing by Gorman x Mirka.
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Exhibition review: LISA GORMAN + MIRKA MORA: To breathe with the rhythm of the heart, Warrnambool Art Gallery

A lyrical and symbiotic pairing of fashion design, sculptural installations, painting, embroideries and more by two Australian icons.

‘John Meade: It’s Personal!’ installation view at McClelland Gallery. Photo: ArtsHub.
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Exhibition review: John Meade: It’s Personal!, McClelland Gallery

Humble in scale, but deliciously rich, John Meade’s solo exhibition plays on form and entices intimate viewing.

projected imagery around a venue recreating a circus like environment.
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Immersive performance review: Dream Circus, Luna Park

Luna Park's immersive experience is a great idea, but a $15 million dud for Sydney.

From Robert MacPherson to Callum Morton, 'Halfway' showcases some of the finest artists our country has produced since the beginning of the 20th century. Photo: ArtsHub.
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Exhibition review: Halfway, Yarrila Arts and Museum

Yarrila Arts and Museum is geographically positioned at a midpoint between Meanjin/Brisbane and Eora/Sydney – hence the name of this…

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