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British Council’s ambitious stride forward through inclusivity
A year in as Country Director, ArtsHub speaks with British Council’s Helen Salmon about this year’s wins, and a more…
Review: Noŋgirrŋa Marawili - from my heart and mind, AGNSW
A contemporary take on a very old tradition speak both of legacies and a very energised and personalised future.
What happens when a small community loses its arts coverage?
The decision by Hobart's The Mercury to axe all theatre, dance, and music criticism in its pages has alarmed the…
Review: Danger Music by Eddie Ayres, Allen and Unwin
Ayres teaches us the transcendental power of music, Afghanistan’s fighting spirit and the peaks and valleys of the Middle East.
Review: David Williamson’s The Club, Belvoir
With an engrossing story, shrewd female perspectives, complex shed debrief and some excellent physical comedy, including moustache work, The Club…
An art prize that pushes the boundaries of painting
The $15,000 2019 Bayside Acquisitive Art Prize is calling for entries, and creates a national conversation around new definitions of…
Why art is indivisable from life
Art is not a luxurious extra, it's a necessity, writes Johanna Knox.
Why Ned Kelly’s story has enduring artistic appeal
He bestrides the Australian cultural landscape like a colossus; the iron-clad outlaw whose name is both revered and reviled.
Why an arts degree is now a must-have asset in the workplace
Once considered to be of low value, a Bachelor of Arts is now increasingly important to employers due to the…
Review: Soul of the Border by Matteo Righetto
Without supplementing their earnings by smuggling tobacco, the de Boers family cannot survive.
