Philosophy, pleasure and pain: Genet’s The Maids at The Street Theatre

Caroline Stacey explains why she has chosen UK playwright Martin Crimp's translation of 'The Maids' for Canberra audiences.
Two female-presenting actresses with dark hair in dark maid costumes stand stoically behind a blonde, female-presenting actor who wears a dress in a light-coloured fabric.

The 1947 play, The Maids (Les Bonnes), sprang from the subversive mind of French novelist, poet playwright Jean Genet (1910 – 1986), one of the most colourful writers of the 20th century. The play – a work “rich in symbolism, philosophy, pleasure and pain” and featuring “dark humour mixed up with a poetic sensibility,” according to The Street Theatre’s CEO and Artistic Director, Caroline Stacey OAM – has been staged and re-staged in theatres around the world countless times following its world premiere at the Théâtre de l’Athénée Paris.

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Allison is an intern at ArtsHub. She is based in Melbourne where she writes and studies Arts at Monash University. Allison is passionate about all things creative with experience spanning music, dance and film.