The benefits of accommodating neurodiverse performers

Considering the accessibility needs of performers who are not neurotypical will lead to a more equitable sector.
A red leaved tree stands out in a forest of green.

If all things are on a spectrum and we dissolve the division between the extremes of diva antics and legitimate self-advocacy, the performing arts sector often sets a very low bar for standards of accessibility for neurodiverse artists outside the realm of the elite.

Evelyn Ida Morris is a multi-instrumentalist who has been releasing music since 2007, beginning their career as a musician before having a full awareness of their autism. Morris emphasises burnout as a key challenge centred on unmet needs, but is reassuring in how their diagnosis has been an important step towards sustainable engagement as an artist.

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Celeste Willoughby is musician and emerging writer based in Naarm/Melbourne. Building on her practice as a pianist and composer, Celeste has established a voice as a music critic with a focus on instrumental piano, neoclassical and ambient music releases from artists globally. She specialised in music composition for her bachelor degree at Box Hill Institute, and has produced solo music releases and collaborated on films, theatre and dance works. As a queer neurodivergent artist, she is passionate about social advocacy and is pursuing wider critical engagement of creative practice and performance culture.