The art of the solo show

One-person shows have become increasingly popular in current theatre, but what does it take to tackle a solo work?
Peter Cook as Dave Smith in 'Breaking the Castle'. Image: Darren Thomas.

Solo shows are starting to occupy a distinctive space in the Australian theatrical landscape. The origins can be discovered in oration which, through Greek theatre, is very much the foundation of contemporary western drama. 

Offering a huge challenge for any performer, carrying a show by yourself for anything between 60 and 100 minutes can be the cultural equivalent of climbing Everest. There is no one else to rely on, no safety net if you forget your lines or lose your way in the narrative. It can be a nerve-racking process. To succeed, the actor needs total confidence in the piece, and it must also be meticulously directed, rehearsed and staged to make the delivery as smooth as possible.  

Unlock Padlock Icon

Unlock this content?

Access this content and more

Suzannah Conway is an experienced arts administrator, having been CEO of Opera Queensland, the Brisbane Riverfestival and the Centenary of Federation celebrations for Queensland. She is a freelance arts writer and has been writing reviews and articles for over 20 years, regularly reviewing classical music, opera and musical theatre in particular for The Australian and Limelight magazine as well as other journals. Most recently she was Arts Hub's Brisbane-based Arts Feature Writer.