Live Futures: an inquiry of queer sex and play

When we look for sex and play, where do we go? ArtsHub attends 'Live Futures: Queer Cultural Safety and Existential Risk' to find out.
Live Futures. Image is a leather clad woman on all fours and a half seen person with their foot on her behind with some bondage rope.

In an 1981 interview titled Friendship as a Way of Life, Paul-Michel Foucault, in discussing the possibilities of sexual identity, queried: ‘How can a relational system be reached through sexual practices? Is it possible to create a homosexual mode of life? … To be “gay,” I think, is not to identify with the psychological traits and the visible masks of the homosexual, but to try to define and develop a way of life.’

Speaker Kaisha Kapadia’s focus on the elasticity of Queer Time was compellingly driven and ambitious, calling into question the phenomenological timeline and its placement for queer subjects as one that is divorced from the patrilineal status quo. With a specific focus on chronicling the trans experience and how its varied make-up compels connection, her group explored the restraint of linear time within an institutional and heterosexual context through clothing, the division of gender, transformation and the reality of housing a trans body. Kapadia’s group discussion was grounded in hope.

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Karen Leong is a Hong Kong-born writer, journalist and critic. Drawn to reclamation and desire, her body of work operates as semiotic storytellers across art, film and fashion. Alongside her written practice, Karen works across performance and media in bridging the juncture between film and text. You can find more of her work on Vice Asia, Astrophe Magazine, Leste Magazine, and @karen.gif.