After Beetlejuice, it’s more important than ever to support Brisbane’s theatre scene

The early demise of Beetlejuice has put the state of Brisbane's theatre scene in the spotlight.
A scene from the Australian production of 'Beetlejuice The Musical'. A cartoonish haunted house primarily lit in purple and green; Eddie Perfect as 'bio-exorcist' Beetlejuice, stand with hands raised centre stage. He has green hair and a green and purple-striped suit. Other charactors, including a startled looking couple and members of the ensemble dressed as male and female cheerleaders stand onstage with them and behind them.

The story of Beetlejuice the Musical in Brisbane is the story of the ghost-with-the-most haunting the city – not with a mischievous poltergeist’s presence, but with a big-name production’s absence.

Beetlejuice the Musical closing in Brisbane four weeks early is particularly dispiriting, then. Heartbreaking as well – even more so for those who lost work and income as a result.

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Sarah Ward is a film and television critic; arts, entertainment and culture editor and journalist; and film festival organiser. She is the film and TV critic for ABC radio Gold Coast, the Australia-based film critic for Screen International, and a critic and member at the Alliance of Women Film Journalists. Sarah’s background also spans stints as film and television editor at both Concrete Playground and Variety Australia, and as Goethe-Institut Australien’s Kino in Oz critic and writer. Her work has been published by the Australian Centre for the Moving Image, Birth.Movies.Death, SBS, SBS Movies, Flicks, Lumina, Senses of Cinema, the Australian Academy of Cinema and Television Arts, Junkee, FilmInk, Broadsheet, Televised Revolution, Metro Magazine and Screen Education, the City of Gold Coast, the World Film Locations book series and more.