Artists remain vulnerable over insurance cuts

Widespread dismay about proposed insurance policy changes for artists has led to a reversal, but concerns remain.

Insurance is a quagmire of tetchy clauses for many of us. Add to that the complexity of a studio practice, often involving specialised machinery, toxic materials or the use of heat to create objects, and it becomes a headache-inducing nightmare.

Insurance for artists and makers running a studio business, however, is a necessity.

Simply to present their wares at a makers’ market, for example, requires proof of insurance and professional indemnity, as does undertaking a residency or presenting workshops – ultimately reducing creatives’ income and stifling their artistic practices.

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Gina Fairley is ArtsHub's Senior Contributor, after 12 years in the role as National Visual Arts Editor. She has worked for extended periods in America and Southeast Asia, as gallerist, arts administrator and regional contributing editor for a number of magazines, including Hong Kong based Asian Art News and World Sculpture News. She is an Art Tour leader for the AGNSW Members, and lectures regularly on the state of the arts. She is based in Mittagong, regional NSW. Instagram: fairleygina