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Q&A with Adelaide Fringe CEO Heather Croall

Heather Croall, CEO of one of Australia's biggest festivals, Adelaide Fringe, shares her insight.

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New targets for female participation in screen

From 2019/2020, the goal is to have women make up 50% of directors, writers and producers on projects that receive…

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ICYMI: The week's top news in the arts

Revisiting Beethoven's masterpieces, new work from Mike Parr; networking for women and finding the value public art.

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Artist accused of yellowface withdraws from Fringe Festival

An artist has pulled her show out of the Melbourne Fringe Festival after offending members of the Asian Australian community.

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Six jobs cut at Country Arts SA

The restructure at the regional arts organisation claims to create more opportunities in regional centres and increase diversity but is…

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Review: Rainbow’s End, Darlinghurst Theatre (NSW)

Jane Harrison’s play follows one Yorta Yorta family’s struggles against assimilation during the Menzies era.

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Review: Ghost Quartet, Gasworks Arts Park (VIC)

The inaugural production from Antipodes presents Dave Malloy’s exquisite and eclectic song cycle about life, death, ghosts and whiskey.

Features

Studios as fertile ground for mid-career desert

A model for artists’ studios in Western Sydney shifts the paradigm from mere workspace to career catalyst – at a…

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Writers hit back at funding cuts

Industry fears for future of Australian writing, as national infrastructure is cut back again.

Features

Icon of visual theatre moves to the next stage

Kim Carpenter, the founder of beloved visual theatre company Theatre of Image, is closing his company after 30 years.

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