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Review delivered on interference in Aboriginal paintings

The National Gallery of Australia has tabled its independent Review into Art Centre interference in the painting of Indigenous artworks.

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Exhibition review: I am the People, White Rabbit Gallery

An edgy and creative exhibition hang leads viewers on a journey of considering contemporary Chinese identity.

New Mineral Collective - Pleasure Prospects. Photo courtesy of the artists
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Highlighting the crucial role the oceans play in our belonging

How the UQ Arts Museum is helping us to appreciate the issues surrounding the health and sustainability of our oceans.

Teal coloured promotional sign with word MÃŒNH in bold capital letters, in front of trees.
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Complicating Vietnamese diaspora stories for the better

A look into how the ‘MÌNH’ exhibition challenges notions of a monolithic Vietnamese identity through art and writing.

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Peers and portals

A triptych of vignettes about three of Sydney’s emerging oil painters and their voyages of identity.

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Exhibition review: Kayannie Denigan, Belconnen Arts Centre

‘Reflections of Country’ creates a space for Aboriginal women to connect with audiences and share their perspectives.

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And it could be yours ... well, for a while

From John Olsen to Lindy Lee and Joan Miró to Helen Frankenthaler – the National Gallery is making available top-drawer…

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Exhibition review: Paul Yore and Albert Tucker: Structures of Feeling, Heide Museum of Modern Art

Two artists straddle the generational divide in their works that speak of war and imperialism.

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Exhibition review: Between Waves, ACCA

The third iteration of the Yalingwa series, ‘Between Waves’ resets binaries to find a delicate in-between space.

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Exhibition review: Twist, Tasmanian Museum and Art Gallery

‘Twist’ is one of those rare exhibitions that hit the mark on both depth and scope, with curious encounters and…

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