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Metamorfoza at the 2025 Belfast Photo Festival

A photographic look at the evolving landscapes of Polish ecology and society.

Three people standing for portrait. Mordant major gift
News

Major gifts for NSW galleries before EOFY by Mordant and Medich families

Newcastle Art Gallery and Powerhouse are the winners of program-altering major gifts by the Mordant and Medich families.

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Performance review: Elements of Freestyle, Joan Sutherland Theatre, Sydney Opera House

A fusion of urban arts and classical music with multigenerational appeal.

Large crowd in gallery looking at artworks. Damage
Opinions & Analysis

The problem behind sensational damage in galleries

From the Van Gogh-inspired Swarovski chair to closures at the Louvre – damage and security staff shortages present a new…

A glamorous woman in a pink silky gown sits in front of a mirror putting her earrings in. Aphrodite.
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Opera review: Aphrodite, Carriageworks

A collaboration between the Sydney Chamber Opera and Omega Ensemble that favours cerebral engagement over emotional impact.

A young man looks shocked while another youth shouts at him in the background. A scene from Lunatix Theatre's 2025 production of 'Blackrock' at The MC Showroom.
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Theatre review: Blackrock, The MC Showroom

Nick Enright's 'Blackrock' is sadly as relevant today as it was in 1995 when it was first performed.

A fair-skinned woman, wearing black shorts and a black waistcoat, stands in a constricting shroud of paper (perhaps representing paperwork) on a bare, industrial-looking stage. This is Andi Snelling in her solo show 'Happy-Go-Wrong' at fortyfivedownstairs.
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Theatre review: Happy-Go-Wrong, fortyfivedownstairs

This exploration of chronic illness fuelled existential angst doesn’t make the leap from fringe festival circuit to the fortyfivedownstairs stage.

Two elderly woman looking at a display of a dozen kimonos hanging in a gallery with white walls.
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Exhibition review: Kimono, NGV International

The enduring allure of kimonos through a chronological timeline.

Guests assemble at the cake-cutting ceremony for Canberra Theatre Centre's 60th anniversary. Three fair-skinned men in suits, flanked by two ballerinas from The Australian Ballet, stand in a semi-circle around a white cake which has the decorative words 'Canberra Theatre Centre' displayed upon it, and a golden number 60 on top.
News

Cake and Carmen as Canberra Theatre Centre celebrates its 60th anniversary

Canberra Theatre Centre opened in 1965, and more than 10 million people have attended its productions in the six decades…

The close up focus of the eye of a green chameleon.
News

Arts news watch: this week’s trending topics

Stay up-to-date with our weekly summary of the most-read arts news stories on ArtsHub. This week: grief rave, ADC loses…

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