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Australian Dance Theatre
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Showing all news in Reviews
Both sumptuous and ascetic, Samsara is a contemporary dance duet that embodies the best elements of India and China’s special relationship.
This is a brave exhibition on many levels. It feels like a slow dance between veiled narratives and the raw and revealed – a chance to navigate the monsters of our contemporary stages, and if lucky, find empathy through the journey.
The Hitmen is a grotesque comedy with a quirky Australian flavour.
Kieran Hurley’s thrilling drama interrogates poverty porn clichés, the rules of playwriting, and asks who has the right to tell whose stories – especially when such stories cross class divides.
The exceptionality of queer experience is on glorious display here with jagged wit.
Technically adept and visually striking, this Belgian production uses miniature sets, live video editing and the performers’ fingers to bring an array of stories to life in an intricate handmade world.
Inventive puppetry tells a story of environmental collapse in a family-friendly show that ventures into bleak territory.
Exquisitely written and performed, this drama about identity, gender, faith and science is mesmerising and utterly of the moment.
An enjoyable version of Shakespeare’s plot-heavy potboiler moves the action to 1920s Hong Kong and 1970s Australia.
Writer/director Miranda Nation swims through the choppy waters of gender with this psychological thriller.
Curated as a kind of ‘cabinet of curiosity’, the NGV’s exhibition celebrates a lively and energetic period of Japanese history.
Modern-day social media spiritual guru The Truru returns in another satire.
Selby & Friends takes the audience to Vienna and St Petersburg in a superb season opener.
Mallika Sarabhai’s mixed-media performance is a call to action against injustice everywhere.
Goldsworthy has captured the mores of the postwar period to perfection.
Biographer Sylvia Martin finally turns her pen on herself.
Rich in symbolism, doom and hope, you live through the cycle of life and death at the hands of Romeo Castellucci in his rethink of Mozart’s iconic Requiem.
Through text, colour and technology, Gothe-Snape’s retrospective considers how the canon is written, rewritten and unwritten.
An inclusive blend of hip-hop and spoken word that will get you moving.
Vietnamese Bamboo Circus’s stunning show embeds impressive physical skills in a vivid, cohesive narrative.
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