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Golden Plains Shire Council
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Showing all news in Reviews
An absurdist piece of metatheatre that touches on relationships, identity, performativity, and the games that people play.
Reed-Gilbert’s memoir is a touching if somewhat disjointed ode to the fearless woman who raised her against all odds.
Tracking the first decade of the White Rabbit Gallery, THEN is an exhibition that reveals lessons in time.
Soaking in high production values, pop culture winks and easy nihilism, Joker is all tricks and no fun.
A little touch of New York City, right here in the little smoke.
The Wake in Fright-lite struggles to balance the demands of a genre film with character-driven drama.
Krien’s debut novel explores trauma, reparations, and atonement, in all its psychological and political dimensions.
Daryl Somers, Jason Bensen and cast show that The Producers is a story meant for the stage.
Heide brings together 12 ceramic artists and an architectural group to ponder the notion of the vessel.
A smutty and delightful performance that makes other cabarets look tame.
Comedy and drama are skilfully fused with a sense of desperation in this UK/Australian ABC series.
Amir Nizar Zuabi’s comedy offers a clever take on grief and desperation in Palestine today.
Four actors play 139 roles in this comedic interpretation of Hitchcock.
Sukhjit Kaur Khalsa’s theatre debut is a poetic, immersive interpretation of culture and visibility.
AGWA’s latest exhibition inspires newfound appreciation for the gallery’s architecture.
This year’s Primavera is a real shake-up, and wake-up, in the hands of Archibald-winning artist Mitch Cairns as curator.
Academic Chris Fleming’s memoir is confronting, interesting, reassuring and offers insight into who and what drug addicts are.
While spanning three decades, Guan Wei's MCA exhibition taps into the pulse of contemporary unrest today, from Chinese protests to the Extinction Rebellion.
Two eps into the ABC’s six-part series Total Control, Chris Boyd’s advice is not to give up before the end of the first one. The dividends come late, but they’re handsome.
Louise Helfgott’s play celebrates the extraordinary friendship of Katharine Susannah Prichard and David Helfgott.
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