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Showing all Professional Development education news in Features
Some artists are inspired by pushing their practice – and themselves – to the edge. We take a look at the experience of the extreme residency.
The arts are notorious for overwork. Arts leaders, wellbeing experts and freelancers weigh in on how can we tackle the stigma of taking sick leave and mental health days at a personal and structural level.
In this extract from the latest Platform Paper, Polyglot Artistic Director/co-CEO Sue Giles reflects on the ways that listening to and working with young people might help adults shift their thinking.
To change or keep as is? A director, a playwright, a live artist and a choreographer reflect on revisiting and remaking existing works.
What is intrapreneurship and how is it affecting the future of work? A panel of experts explores how organisations can change themselves from the inside out.
Five years after a group of small to medium arts organisations in Melbourne’s west joined forces, they share their learnings with the sector.
The NDIS is the most significant social reform in recent years and there are numerous resources to help you prioritise the arts in your plan.
First Nations theatre-makers have much to teach the sector when it comes to ensuring that our rehearsal rooms are culturally safe spaces.
Lack of funding and limited touring opportunities are restricting the artistic development of Australian circus, but new initiatives are set to change that.
Strategies for disarming sexism for people working in the arts and cultural sector.
Art works which embrace neurodiversity can engage audiences in a myriad of enlightening ways.
The arts can be difficult to navigate at the best of times, but what if your particular challenges are invisible? Here's how the sector can pay attention, remove the stigma and better support individuals.
Tamara Winikoff has been at the helm of NAVA, the national peak body for the visual arts, for 22 years. She shares the challenges, the wins, the wisdoms and tips garnered along the way.
Back to Back Theatre's Alice Nash on the ingredients needed to make great work, and the value of such work for a civil society.
In this time of Trump and Brexit, when the far right are on the rise and arts funding is more tenuous than ever, we need to make a stand.
For Anna Davis curating is a kind of laboratory where you can test out ideas and discover new things. Having a background as an artist helps.
Working in an organisation going through a restructure or redevelopment can be a boon or a bust for your career.
Looking after yourself is an important part of maintaining creative energy
Artists aren’t the problem when it comes to self-care; it’s the culture we work in which damages people. It’s time to change that.
We learn by failing, but rarely talk about it. Here, artists and arts workers from diverse sectors reflect on what their mistakes have taught them.
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