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Showing all Professional Development education news in Features
Five years after a group of small to medium arts organisations in Melbourne’s west joined forces, they share their learnings with the sector.
The NDIS is the most significant social reform in recent years and there are numerous resources to help you prioritise the arts in your plan.
First Nations theatre-makers have much to teach the sector when it comes to ensuring that our rehearsal rooms are culturally safe spaces.
Lack of funding and limited touring opportunities are restricting the artistic development of Australian circus, but new initiatives are set to change that.
Strategies for disarming sexism for people working in the arts and cultural sector.
The arts can be difficult to navigate at the best of times, but what if your particular challenges are invisible? Here's how the sector can pay attention, remove the stigma and better support individuals.
Tamara Winikoff has been at the helm of NAVA, the national peak body for the visual arts, for 22 years. She shares the challenges, the wins, the wisdoms and tips garnered along the way.
Back to Back Theatre's Alice Nash on the ingredients needed to make great work, and the value of such work for a civil society.
In this time of Trump and Brexit, when the far right are on the rise and arts funding is more tenuous than ever, we need to make a stand.
For Anna Davis curating is a kind of laboratory where you can test out ideas and discover new things. Having a background as an artist helps.
Working in an organisation going through a restructure or redevelopment can be a boon or a bust for your career.
Looking after yourself is an important part of maintaining creative energy
Artists aren’t the problem when it comes to self-care; it’s the culture we work in which damages people. It’s time to change that.
We learn by failing, but rarely talk about it. Here, artists and arts workers from diverse sectors reflect on what their mistakes have taught them.
From indie artists to state companies, even the most skilled arts administrators are sometimes faced with catastrophe. What can we learn from disaster?
Arts organisations are ‘snow blind’ with demographic data that fails to explain what really makes audiences buy tickets. There is a smarter alternative.
Monetising your art might kill your creativity.
A new kind of gallery space is emerging, straddling the distance between the traditional commercial gallery and the artist-run not-for-profit.
Young workers expect older colleagues to get out of the way, freeing up jobs and ceding key cultural spaces.
Some of the world's most successful people read voraciously. But can mere mortals do it too?
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