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From Darwin to Melbourne, dance lovers from all walks of life unite for Big Dance.
From its home on the Illawarra coast, Merrigong Theatre Company is telling new Australian stories for a national audience.
Don’t know where to start when it comes to social media? Here's some advice from the experts.
Sharing personal stories with the world can be emotionally taxing. Performance artist Jodee Mundy reveals what it takes to create work from one's own history.
Looking back over 12 years of social practice in Sydney’s West, Curator Anne Loxley speaks to ArtsHub about how C3West has shaped new modes for cultural engagement and defined communities.
Top of the Arts 2025 agenda for artist Ben Quilty was tax reform for artists. He also warned the sector to stop infighting and work on shifting perceptions.
Esther Anatolitis offers a fiery response to a missed opportunity, saying the Arts2025 summit spiralled to a point where all focus was lost.
Opinions & Analysis
Creative Geelong and Renew Geelong will both receive a financial boost in a plan to turn Geelong into a thriving cultural hub.
The Keir Choreographic Award features public programs as well as a choreographic competition, and provides a snapshot of the contemporary dance sector’s current concerns.
Your organisation might make a claim for accessibility, but is it really inclusive? Here's a checklist to help you become an inclusive arts provider for NDIS.
The national online disability art program portal ARTfinder, has been bolstered with a $40,000 contribution by Create NSW.
From women’s representation to First Nations’ intellectual property – ArtsHub takes a look at significant social campaigns and what we can learn from them.
We explore the challenges facing Tasmania’s creative industries in the lead-up to the state election on Saturday 3 March.
‘We don’t feel disadvantaged being in the regions. In fact, we see this as an opportunity,' says former Four Winds Chair Sheena Boughen.
A new NAVA campaign targeting our politicians aims to reposition arts and culture at the forefront of the national conversation.
Three creative entrepreneurs – the founders of Parlour Gigs, Underground Cinema and Envato – share how they got started; how they got funding, and how you stay on track.
Instead of playing film scores, should the classical music sector focus on more experiential and experimental works in order to reach new audiences?
Themes around mental health, youth access, and mentorships and partnerships were rewarded with Regional Arts Funding.
REMIX asked a panel of experts to explore what has become of our creative nation, and to posit the steps required to get impending changes right.
When it comes to working with marginalised communities, good intentions mean little without sound ethics.
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