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Showing all Film news
Netflix's Ted Bundy film conveys the superficial charm of the serial killer, but doesn't go much deeper.
The Sydney Film Festival's selection of Australian films take our collective imagination down a twistier hole than ever before.
Slamdance, Israeli shorts and Richard Frankland will spice up the short film festival, held this year from June 21 to 30.
Strong social media, enthusiastic audiences, a cautious but substantial release leads to a first weekend which promises a slow but thorough march through the market.
It was a week of art prize frenzy, building election madness, and strategic planning for the Australia Council we round up this week's arts news.
The Cannes Film Festival is a strange beast, buried in sidebars with prizes of their own. Screen Australia provides a rundown and we ask some supplementary questions.
Charlize Theron and Seth Rogen are a perfect match in a smart rom-com that's retro in all the right ways.
In a culture full of clashing politics, this warm inclusive homecoming comedy feels radical, says Mel Campbell.
A Samstag commission will see the artists who gave us feral mashup 'Terror Nullius' presenting new work 'Netsploits' in Adelaide next year.
Sydney Film Festival stays close to home for its opening night in 2019.
Avengers scythes across the landscape like a steampunk nightmare, but small films stand tall and pull through.
Cinematographer Meg White has turned her anguish into art. She hopes that talking more openly about mental health in the workplace will bring relief for others.
Big in scale and emotion, this eagerly awaited sequel to Infinity War packs a sizeable (but safe) punch.
To watch anything in the cinema at the moment you have to push your way past Avengers: Endgame. How did it take over? What else is around?
Specialist internation film fests can be uniquely wonderful. Fest 2019 at Espinho in Portugal focuses on emerging filmmakers and has added a book fair as well.
Sebastián Lelo's remake of his 2013 film is lighter, funnier and more subtle in its depiction of a woman's mid-life search for love.
Australian auteurs relish Tropic Gothic as it confronts flesh, memory and the blurred promises of sexuality. Adrian Martin examines Celeste and the work of Ben Hackworth.
Has the country given up on imagination? Box office totals are mediocre, though Hotel Mumbai still carries itself with modest pride.
Adrian Martin takes us into the cinematic joys and fumbles of Burning, and its icy cumulative drama created by ambiguity and unnerving doubt.
A recent Parliamentary Inquiry into Canberra’s national institutions made 20 recommendations. What were they, and were they warranted?
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