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Showing all Film news
As action goes, the Fallen series has shot, stabbed and belted its way into the hearts of cinema goers and fictional presidents but this time it's personal.
The Sydney Theatre Company’s The Harp in the South sweeps up the big prizes in the Australian Writers Guild awards.
It's a good week to rewrite history, with 'Once Upon a Time in Hollywood' and 'Mission Mangal' scoring big crowds.
Opinions & Analysis
Croser will take on a 3-year contract as Chief Executive at SA Film Corp, at an exciting time for the state's screen industries.
Heperi Mita's directorial debut celebrates his mother's unsung legacy of bringing Indigenous stories to the screen.
Three exhibitions at Koorie Heritage Trust examine the art of cartography, Blak cinema, and contemporary adornment.
MIFF Critics Campus coordinator Luke Goodsell talks about Rotten Tomatoes, the future of film criticism and how the program for emerging critics has evolved.
Avid cinephile Faith Everard revelled in killer dresses, lesbian S&M and folk revenge at this year's Melbourne Film Fest.
A surreal, visually arresting meditation on the future of our planet.
Once Upon a Time... in Hollywood is this week's big draw, Midsommar scares up fans and MIFF lingers.
Funny, textured and nostalgic, Tarantino's ninth film gives us characters we want to hang out with, writes Anthony Morris.
Serge Ou's documentary unearths another unhinged history of a sub-genre that bypassed good taste, writes Glenn Dunks.
Van Grinsven's confident debut, an AFTRS Masters project and SFF audience award winner, is an evocative portrait of contemporary queerness delighting in its sexuality.
Palm Beach and Danger Close open wide, and little horror sensation Midsommar tops limited release.
Originally billed as a slasher, the result is an unexpectedly joyful reflection on communal experience.
Jennifer Kent's bloody revenge tale named Best Australian Feature and short film winners include 'The Egg', 'Passage' and 'Lost Rambos'.
Screen Australia's Head of Development Nerida Moore says the Generate Fund's first year has been a roaring success.
Director Isabel Peppard talks about Morgana, her first feature documentary, a portrait of unexpected leading lady.
The Babadook director returns with a different kind of horror: an essential film that gives voice to female suffering.
The starry duo will grace the Brisbane International Film Fest with their own films and a selection of other favourites.
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