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Showing all news in Reviews
What could be Australia’s last and least known genocide is laid bare in Coniston, which occurred just more than 100 years ago.
Aftershocks is Macris’ selected interviews, essays and criticism as he asks, what comes after postmodernism in art?
Mirandi Riwoe’s second novel triumphantly recreates Australian history through Asian eyes.
Papathanasiou throws light on what it means to be a member of a family.
The animated tale of a blue heeler pup and her family is pure fun, says Anthony Morris. No wonder it's ABC iview's most watched show of all time.
Set in Far North Queensland, this comedy written by Laurie Trott was the perfect play to open the Bulmba-ja Arts Centre.
Saigon captures the way in which the diaspora is obsessed with its grief and dispossessed of its past.
Far from static, this grand Verdi opera is full of revenge, massive sets, feuding, and is brought to life with digital projections and live horses on stage.
Was it the First Nations biennale we needed? We take a look at how this exhibition forces viewers to navigate our contemporary world in unexpected ways, with the pummel of yesteryear politics.
A great spy story from a master of the craft.
This one-woman show is a politically charged and seductive performance, wrapped up in the innocence of a fairytale.
A parade celebrating famously subversive art becomes a parody of subversion.
David Williamson’s hilarious 1987 satire receives a rip-roaring revival by Melbourne Theatre Company and Sam Strong.
Folds travels the geography of the piano at high speed, contributing convincing grabs of colour, spidery finger flurries and gliss
Both sumptuous and ascetic, Samsara is a contemporary dance duet that embodies the best elements of India and China’s special relationship.
This is a brave exhibition on many levels. It feels like a slow dance between veiled narratives and the raw and revealed – a chance to navigate the monsters of our contemporary stages, and if lucky, find empathy through the journey.
An electrifying solo exhibition by Walmajarri artist John Prince Siddon, All Mixed Up lives up to its title in spectacular ways.
An intriguing, highly elliptical account of Penelope's experience of waiting for her husband, Odysseus, to return from the Trojan War.
Kieran Hurley’s thrilling drama interrogates poverty porn clichés, the rules of playwriting, and asks who has the right to tell whose stories – especially when such stories cross class divides.
The exceptionality of queer experience is on glorious display here with jagged wit.
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